NiSi 65 PRIME 16mm T2.9 Large-Format Cinema Lens (ARRI PL)
The NiSi 65 PRIME 16mm T2.9 brings an expansive ultrawide perspective to professional large format cinema production. Its image circle approaches 65mm, providing coverage for ARRI ALEXA 65 and 265 Open Gate capture while preserving sharp detail across the frame. The 16mm focal length creates dramatic spatial depth for architecture, landscapes, interiors, and close foreground compositions.
Large Format Coverage with Controlled Geometry
A precision optical design uses 16 elements in 12 groups, including 3 aspherical elements, to maintain resolution from the center toward the edges. Strong chromatic aberration control supports natural color reproduction, while correction for barrel and pincushion distortion helps structured lines remain visually controlled. On an ARRI ALEXA 65 or 265 in Open Gate, the lens delivers a diagonal field of view exceeding 122 degrees.
Close Focus for Immersive Perspective
A 0.25 meter minimum focus distance lets cinematographers place subjects close to the lens while retaining a broad view of the environment. The T2.9 maximum aperture supports available light work and meaningful subject separation at close distances. A 10 blade diaphragm produces smooth out of focus rendering through the T2.9 to T22 range.
Professional Cine Handling
The PL mount body includes standard 0.8 MOD gearing and a 300 degree focus rotation for precise manual pulls or motor control. A 95mm front diameter fits common matte box workflows, while the 846 gram body helps manage balance on handheld, gimbal, and drone builds. Luminescent focus and aperture markings remain readable during low light production.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The NiSi 65 PRIME 16mm T2.9 brings an expansive ultrawide perspective to professional large format cinema production. Its image circle approaches 65mm, providing coverage for ARRI ALEXA 65 and 265 Open Gate capture while preserving sharp detail across the frame. The 16mm focal length creates dramatic spatial depth for architecture, landscapes, interiors, and close foreground compositions.
Large Format Coverage with Controlled Geometry
A precision optical design uses 16 elements in 12 groups, including 3 aspherical elements, to maintain resolution from the center toward the edges. Strong chromatic aberration control supports natural color reproduction, while correction for barrel and pincushion distortion helps structured lines remain visually controlled. On an ARRI ALEXA 65 or 265 in Open Gate, the lens delivers a diagonal field of view exceeding 122 degrees.
Close Focus for Immersive Perspective
A 0.25 meter minimum focus distance lets cinematographers place subjects close to the lens while retaining a broad view of the environment. The T2.9 maximum aperture supports available light work and meaningful subject separation at close distances. A 10 blade diaphragm produces smooth out of focus rendering through the T2.9 to T22 range.
Professional Cine Handling
The PL mount body includes standard 0.8 MOD gearing and a 300 degree focus rotation for precise manual pulls or motor control. A 95mm front diameter fits common matte box workflows, while the 846 gram body helps manage balance on handheld, gimbal, and drone builds. Luminescent focus and aperture markings remain readable during low light production.
